MICRO TABLE 
RANGER RCI-TLM1, it is not vain bestio! a little pat al eye! MP3 player and screen TFT. You can choose display for you. You can create customize your screen. used as "Digital Picture Frame." You can connect a memory card and browse photos and listen to MP3 stereo with amp BF! nice! not? pity that he does that in 40 cx am (quickly the next version with a 100 watt little hope, any mode), before the future remain in this kind of job positions cb certainly presage of the future with little by little the shift to digital has provided that there are still people interested in something other than the screen and keyboard discussed by interposing which is the case of our beloved country (yes, very expensive!) must believe that the other side of the Atlantic Radio still has a few future! 
some pub! unsponsored alas! for fans here is a Swiss Army knife has more to your collection! you can not separate yourself from your cell phone or your pmr? Never mind that! j couples the 2 and I have a nice hybrid mobile phone and pmr! the "gpmrs" and plus it sounds good as a noun (normal for a laptop!) one more time we stopped more con .... no! pardon the progress (not that of Lyon!) the technology! Here is the laptop of the urban jungle adventurer! I'm not sure there have relays GSM Amazon forest in the middle! brief its been camera, camcorder, GPS, game console, bluetooth, flashlight, FM Radio, MP3, voice recorder, calendar etc etc and what interest us surout Walkie Talkie 400MHz to 480MHz in transmission and ancillary ca phone and maybe tomorrow they make coffee or cooking option for singles! hi! hee hee! for details follow the link http://www.mobiletoutterrain.com/
The Construction of Literary History
February 21, 2011 to May 30, 2011, ENS, Paris (weekly)
Monday from 11 am to 13 pm
ENS, 45 rue d'Ulm, 75005 Paris, Salle Beckett
Spurred by a dialogue with the social sciences, ways of "doing history of literature" have greatly renewed recently, and invite us to ask ourselves the instruments, models and values which we use to give meaning to our literary past. What is an event in literature? What a century literature? Why are they the story more often domestic? Implied by a truly global perspective? What we say is that such "precursor", "contemporary" or "anachronistic"? How are born, evolve and reconfigure literary genres? Why are women virtually absent from the history of literature? According to which dynamic selections and omissions literary memory is built-it or weakens she ?
After an overall presentation, the sessions will be organized around case studies of literary change. We also host a series of conferences several visiting professorships, including Damien Zanone (professor of literature at the University of Louvain), specialist of the nineteenth century, the kind of briefs and feminine romance.
Indicative Programme:
February 21: General Introduction
February 28: In the history of the discipline in the history of the idea of literature
March 7: The categories of literary history
March 14: What a century literature?
March 21: Damien Zanone " Women and novels, two genres for role-playing . (1) Women fiction
March 28: Damien Zanone (2) Women novelists
April 4: Damien Zanone (3) Romans female
(Easter Holidays)
May 2: History of literature and history of language
May 9: National Literature / World Literature
May 16: Guest speaker: William Bridet (Paris XIII)
May 23: A European Romanticism: Novalis in France
May 30: Memory and oblivion
Wednesday, February 9, 2011, ENS Lyon
ENS Lyon, Study Day February 9, 2011 From the verbal description to implementation: the thought and writing in context
Glissant Edouard Glissant is often perceived in terms of concepts that he himself even forged. Criticism has tended to explore the "opacity" of the author. It describes his relationship with language through his project of writing "in the presence of all languages of the world" (Glissant 1996). It uses the concepts of "creolization" and "relationship" to explain his worldview.
In 1999, Celia Britton opens another way by drawing parallels between the systematic thinking Edouard Glissant and postcolonial theory, especially with the writings of Gayatri C. Spivak. In 2002, Romuald Fonkoua proposes a study on the thinking and writing glissantiennes as a measure of the world, in the context where they are built. In 2011, Alain Menil referred questions to the double critical and utopian concept of creolization in the various contexts related to its formulation, the All-Caribbean world. Still in 2011, Lambert Félix Prudent back to the origins of linguistic creolization and examines how, from a given language, Slippery forge a language and critical discourse.
The study day organized February 9 by the Laboratory "Literature and Postcolonial Studies" around these four researchers propose to consider writing Edouard Glissant not starting by itself, but by confronting it directly to its cultural, intellectual and linguistic. More than any other, the writing project is part of Edouard Glissant claimed so in a context. Edouard Glissant regains postures utterance, linguistic structures and the philosophical background and reformulating the terms before returning to the world that produced them. Glissantien topic is placed in the work of appropriation and rewriting.
Program: 10.00: Registration - Room F08 10:30 to 12:30: Project poetic utterance position, political positioning Celia Britton, University College - London: "Edward the Obscure: the poetic-cons say-no-tell" Romuald Fonkoua University Strasbourg: "New glissantiennes criticism of politics"
14h00 - 16h00: linguistic and philosophical issues of creolization glissantienne Lambert Félix Prudent, University of Reunion - Saint-Denis: "At the edge of Creole and French:" style "Glissant Alain Menil, Lycée Condorcet - Paris:" Functions and uses the concept of creolization "
ENS Lyon, 15 Parvis René Descartes, 69007 Lyon - Metro Debourg Contact: Laboratory Studies and Postcolonial Literature - @: @ gmail.com litt.post
BASES LEGENDS BY LAWRENCE CB (CB RADIO CONNECTION December 2010) 
Aeromodeling Indoor , means the model operating in a closed space like a gymnasium . These models are often very light and are powered by an electric motor is used thin carbon rods for orders.
The indoor flying is now an essential discipline of model airplanes, nice in the winter cold spell. It allows pilots to fly and refine their addresses control is essential in a closed environment like a gym. Technological advances in miniaturization of the various elements embedded in a model such as lithium batteries, microphones, receivers getting smaller, micro servos, but also the arrival on the market for small brushless motors weighing only a few grams allow the construction of ultralight aircraft. they are generally built depron.
The indoor has grown significantly in recent years. The planes are designed to move indoors all the 3D aerobatics.
This discipline is very popular with young drivers attracted by the so-called 3D aerobatics, well trained on simulators, they connect with spectacular aerial tricks!
Hervé.
Dear Friends, I
you all my best wishes for the new year.
Thank you for your faithfulness to this blog
Thanks to you, and we passed well beyond the 15,000 visits !
Happy New Year 2011.
Hervé.
